绵竹年画图片大全_绵竹年画

　　Mianzhu New Year paintings 　　 　　Mianzhu New Year paintings is one of four Chinese New Year paintings, whose outlines is first printed in white paper, and then colored by the folk artists.When I was a little girl, the white background New Year paintings were pasted on doors of every family. At that time it seemed that only the traditional New Year paintings can be bought. Hawkers just called 2 Jiao for each piece of this kind of paintings. Later machine-printed New Year paintings became a good substitute to the traditional one, whose background is Chinese red and whose color is rich which made it more popular. During the time that traditional Mianzhu New Year paintings took downward turns, the traditional paintings more likely existed in the museum.
　　With a strong support from local government Mianzhu New Year paintings have a sign of recovery these days. Instead of serving local people, it aims at the high-end market usually as a gift to family and friends. As a result price nowadays naturally rises up sharply. 2 Jiao for one piece or 1 Yuan for 5 pieces before, but now a foldout brochure containing 5 pieces of New Year paintings is sold for 60 to 70 Yuan. Businessmen are certainly in pursuit of innovation, but the innovation of traditional New Year paintings are mostly focused on the application level. For example traditional New Year paintings’ pattern is printed on the bookmark, luggage, kite, or cup mat, and the form of paper New Year paintings changes into pottery version of the New Year paintings. The classic works are very few such as Zhao Gong Zhen Zhai, San Xing Gao Zhao and etc. In addition to those classic, there is rarely other fresh and new works. At present artists with creation ability sell their new creative works to businessmen, charging a copyright fee. Then businessmen make the woodcut, print and coloring. From this perspective, the recovery of Mianzhu New Year paintings is not actually of the cultural significance, but of the commercial application. Cultural heritage requires a group of people to inherit and innovate.
　　As for the artists, they fall into two categories, school artists and folk artists. Liu Zhumei is a representative of the former, and Li Fangfu belongs to the latter. I’ve ever had a communication with Li Fangfu the old. He is the successor of north style of Mianzhu New Year paintings which is more straightforward and whose coloring is bolder. An old man about eighty years full of sap like a young man was the first image to me, and during the conversation I was touched by his pride and confidence. I’ve ever seen Teacher Liu Zhumei’s works which is very delicate and definitely worth collecting. When I was young a new works of New Year paintings called “dance” by teacher Liu caught in my eyes in the New Year paintings Museum as a result that the background of the picture are many handprints which gave people a dancing feeling. Here it comes that a key to innovation is people.
　　As a local civilian, I hope that my hometown’s traditional New Year paintings can continue to pass on. Now that we have seen the commercial operation makes it appear a signs of recovery, but it wasn"t enough. Time will see that business in New Year paintings drives the traditional culture turn into much stronger.
　　
　　绵竹年画是中国四大年画之一，这种年画先用木板在白纸上印出画面的轮廓，再由艺人们着色。当我还是一个小女孩的时候，家家户户的门上都贴着这种白色底子的年画。依稀记得那个时候只有这种传统的年画可以买到。小贩手里的这种年画一幅只卖2毛钱。后来机器印刷的年画以其中国红的底色和画面丰富的色彩更受市场的欢迎。在那段绵竹年画衰落的时期，传统的绵竹年画只存在于博物馆当中。
　　现在绵竹年画在政府的大力扶植下有了起色。但是现在的年画已经不比从前，它面向高端市场通常作为礼品馈赠亲朋。这样一来价格也自然上去了，以前2毛钱一幅1块钱5幅的年画，现在一本包含5幅年画的折页画册要价60元到70元。当然年画商人们在追求创新，但是这种创新大多集中传统年画的应用层面上。比如将传统年画图案印在书签、箱包、风筝、杯垫上面，将传统的纸质年画做成陶版的年画。绵竹年画的经典之作就那么几幅，比如赵公镇宅、三星高照。除了这些经典之作，现在鲜有让人耳目一新的作品出现。目前有年画创作能力的老师们将自己新创作的年画卖给年画商人，收取一定的版权费。年画商人再制版、印刷、着色。从这个层面来看，绵竹年画的复苏并非真正文化意义上的，更像是商业应用上的复苏。文化遗产需要有一批人来继承和创新。
　　说道年画艺人，可以分为两类：学院派的老师，如刘竹梅等；民间艺人，如李芳福老人。我和这位老人有过一次接触，这位老人是绵竹年画北派的继承人。北派画风比较粗犷，着色非常大胆。八十岁的高龄还有几分年轻人的血气，谈吐间被他的自信和骄傲打动。我看过刘竹梅老师的手绘年画，画工细腻笔法老道绝对值得收藏。记得小时候在年画馆看过的刘老师新创作的年画“舞”，画面的背景是上下翻飞的手印，着实让人产生一种舞动的感觉。由此看来，年画创新的核心还在于人。
　　作为一个绵竹人，希望故乡的传统年画能够不断地传承下去。现在我们已经看到了商业运作使得它有了复苏的迹象，但是这还远远不够。我们将看到围绕年画的商业带动传统文化的逐步走强。

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